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CHUNITHM:WORLD'S END: Difference between revisions
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| [[Holy sambaland|ホーリーサンバランド]] || 狂 || ☆☆☆☆☆ || SUSHITHER || An original, very intense chart. This chart has a lot of points where large numbers of notes are hit at once, as with this song's BMS origins. | | [[Holy sambaland|ホーリーサンバランド]] || 狂 || ☆☆☆☆☆ || SUSHITHER || An original, very intense chart. This chart has a lot of points where large numbers of notes are hit at once, as with this song's BMS origins. | ||
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| [[The Metaverse -First story of the SeelischTact-]] || 光 || ☆☆☆ || -Shining Notes of the SeelischScore- || Based on MASTER, but TAP and the starts of HOLD/SLIDE are replaced with ExTAP. Even with this decrease of scoring difficulty, it's still based on a Level 15 chart. Perhaps this is a good way to practice before diving into the original chart. | | [[The Metaverse -First story of the SeelischTact-]] || 光 || ☆☆☆ || -Shining Notes of the SeelischScore- || Based on MASTER, but TAP and the starts of HOLD/SLIDE are replaced with ExTAP. Even with this decrease of scoring difficulty, it's still based on a Level 15+ chart. Perhaps this is a good way to practice before diving into the original chart. | ||
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| [[4gatsu 1tachi de gozaimashita|4月1日でございました]] || 嘘 || ☆☆☆ || ダメージノーツもございました || The first non-Irodorimidori 嘘 chart. Relatively modest compared to April Fools charts in the past, but still features tricks like speed changes, damage notes in awkward places, and AIR abuse. There are several jokes included in the chart; first of all, the rhythm of the count-in is the opening melody, and then there is a count-in in the middle of the song. | | [[4gatsu 1tachi de gozaimashita|4月1日でございました]] || 嘘 || ☆☆☆ || ダメージノーツもございました || The first non-Irodorimidori 嘘 chart. Relatively modest compared to April Fools charts in the past, but still features tricks like speed changes, damage notes in awkward places, and AIR abuse. There are several jokes included in the chart; first of all, the rhythm of the count-in is the opening melody, and then there is a count-in in the middle of the song. | ||