PANDORA PARADOXXX: Difference between revisions

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 BPM: 150<br>
 Length: 2:27<br>
-maimai Internal Name: pandora_paradoxxx<br>
 maimai Genre: maimai<br>
 First Music Game Appearance: [[maimai:FiNALE|maimai FiNALE]]<br>
@@ Line 16: / Line 15: @@
 == Song Connections / Remixes ==
-None.
+* A sequel to PANDORA PARADOXXX, titled ''AFTER PANDORA'', appears in [[maimai ALL PERFECT COLLECTiON]].
 == Trivia ==
@@ Line 25: / Line 24: @@
 * In PANDORA BOXXX, PANDORA PARADOXXX's title is displayed as <span style="font-family:serif">PΛNDΘRΛ PΛRΛDΘXXX</span>.
 * PANDORA PARADOXXX broke the record of the highest level in all 6 difficulties, as well as the highest number of notes in MASTER and Re:MASTER difficulties.
-** In the 15-level scale introduced in [[maimai DX:PLUS|maimai でらっくす PLUS]], the Re:MASTER chart of PANDORA PARADOXXX is the only level 15 chart.
+** In the 15-level scale introduced in [[maimai DX:PLUS|maimai でらっくす PLUS]], the Re:MASTER chart of PANDORA PARADOXXX was the only level 15 chart until the release of [[Tsunagite|系ぎて]] in [[maimai DX:BUDDiES|maimai でらっくす BUDDiES]].
 * At the time of its release, the Re:MASTER chart of PANDORA PARADOXXX had the 3rd most notes among all charts, only behind [[Shissou ensemble|疾走あんさんぶる]] 宴 協 and [[FREEDOM DiVE (tpz Overcute Remix)]] 宴 狂.
-** Since maimai でらっくす removed 宴会場 entirely, the Re:MASTER chart of PANDORA PARADOXXX now has the most notes among all currently playable charts.
+** As of maimai でらっくす BUDDiES, the Re:MASTER chart has the third highest note count among all non-宴会場 charts, behind [[Latent Kingdom|Latent Kingdom's]] MASTER chart and [[Tsunagite|系ぎて's]] Re:MASTER chart.
 * No one unlocked the song on the first day, which didn't happen since [[Panopticon]]. No one unlocked the song even in the entire LIFE5 period; the highest achievement rate anyone got was 60%. The Re:MASTER chart was even harder; the first person who unlocked the chart did it at LIFE50.
 * PANDORA PARADOXXX contains many BPM changes and time signature changes, both of which are rare in maimai.
-** (Details about these changes TBA)
+** Note: First measure starts at the first note in Re:MASTER
+{| class="wikitable"
+| style="text-align:center;" colspan="26" | One measure means one complete metronome passed.
+|-
+! scope="row" | Measures
+| style="width:35px; text-align:center;" | 4 || style="width:35px; text-align:center;" | 10 || style="width:35px; text-align:center;" | 3 || style="width:35px; text-align:center;" | 1 || style="width:35px; text-align:center;" | 2 || style="width:35px; text-align:center;" | 8 || style="width:35px; text-align:center;" | 7 || style="width:35px; text-align:center;" | 1 || style="width:35px; text-align:center;" | 6 || style="width:35px; text-align:center;" | 4 || style="width:35px; text-align:center;" | 2 || style="width:35px; text-align:center;" | 2 || style="width:35px; text-align:center;" | 4 || style="width:35px; text-align:center;" | 1 || style="width:35px; text-align:center;" | 3 || style="width:35px; text-align:center;" | 7 || style="width:35px; text-align:center;" | 1 || style="width:35px; text-align:center;" | 8 || style="width:35px; text-align:center;" | 1 || style="width:35px; text-align:center;" | 3 || style="width:35px; text-align:center;" | 1 || style="width:35px; text-align:center;" | 8 || style="width:35px; text-align:center;" | 2 || style="width:35px; text-align:center;" | 4 || style="width:35px; text-align:center;" | End
+|-
+! scope="row" | BPM
+| style="text-align:center;" colspan="5" | 150 || style="text-align:center;" | 200 || style="text-align:center;" colspan="9" | 150 || style="text-align:center;" | 75 || style="text-align:center;" colspan="5" | 150 || style="text-align:center;" colspan="4" | 225
+|-
+! scope="row" | Metronome
+| style="text-align:center;" | 4/4 || style="text-align:center;" | 6/8 || style="text-align:center;" | 3/4 || style="text-align:center;" | 4/4 || colspan="2" style="text-align:center;" | 3/4 || style="text-align:center;" | 6/8 || style="text-align:center;" | 4/4 || style="text-align:center;" | 6/8 || style="text-align:center;" | 12/16 || style="text-align:center;" | 5/8 || style="text-align:center;" | 12/16 || style="text-align:center;" | 6/8 || style="text-align:center;" | 3/4 || style="text-align:center;" | 4/4 || style="text-align:center;" | 2/4 || style="text-align:center;" | 4/4 || style="text-align:center;" | 15/8 || style="text-align:center;" | 6/8 || style="text-align:center;" | 3/4 || style="text-align:center;" | 4/4 || style="text-align:center;" | 3/4 || style="text-align:center;" | 4/4 || style="text-align:center;" | 6/4 || style="text-align:center;" | 6/8
+|-
+|}
 * When entering PANDORA PARADOXXX from PANDORA BOXXX, a 15-second video based on the video of the song is played, in which the title and artist is revealed, as seen in the Re:MASTER chart video on this page.
@@ Line 59: / Line 71: @@
 {{maimai Chart|maimai でらっくす|-|7+|10+|12+|13+|14}}
 {{maimai Chart|maimai でらっくす PLUS|-|7+|10+|13|14+|15}}
-{{maimai Chart|maimai でらっくす Splash&rarr;Present|-|7+|10+|13+|14+|15}}
+{{maimai Chart|maimai でらっくす Splash&rarr;UNiVERSE PLUS|-|7+|10+|13+|14+|15}}
+{{maimai Chart|maimai でらっくす FESTiVAL&rarr;Present|-|7+|11|13+|14+|15}}
 }}

PANDORA PARADOXXX: Difference between revisions

PANDORA PARADOXXX (view source)

Revision as of 18:14, 22 March 2024

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