CHUNITHM:WORLD'S END: Difference between revisions

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imported>Hibiki
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| [[Ixion|幾四音-Ixion-]] || 止 || ☆ || From The Broken World's End/EXPERT || Based on EXPERT, but with stops added in the "stuttering" parts of the song.
| [[Ixion|幾四音-Ixion-]] || 止 || ☆ || From The Broken World's End/EXPERT || Based on EXPERT, but with stops added in the "stuttering" parts of the song.
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| [[Kokoro koko kara|こころここから]] || 半 || ☆ || ここからこころここから || Based on MASTER, expanding on its unique gimmick where the male vocal is charted on the left and the female on the right. The solo vocal parts are halved in size and snapped to each side, whilst chorus and instrumental parts (which previously used the whole highway) use the unused middle part. In the original chart, FLICK notes were used to distinguish a change in size; in this chart, instead of being halved in size, they are doubled.
| [[Kokoro koko kara|こころここから]] || 半 || ☆ || ここからこころここから || Based on MASTER, expanding on its unique gimmick where the male vocal is charted on the left and the female on the right. The solo vocal parts are halved in size and snapped to each side, whilst chorus and instrumental parts (which previously used the whole highway) use the unused middle part. In the original chart, FLICK notes were used to distinguish a change in side; in this chart, instead of being halved in size, they are doubled.
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| [[Tokyo zen'iki Akihabara?|とーきょー全域★アキハバラ?]] || 跳 || ☆ || とーきょー全跳★アキハバラ? || Based on EXPERT, but most notes have AIR attached. During certain two-handed patterns, it is best to keep one hand in the air and play the pattern one-handed. This is especially true when AIR are placed on the beginning of HOLDs and SLIDEs as well as the end.
| [[Tokyo zen'iki Akihabara?|とーきょー全域★アキハバラ?]] || 跳 || ☆ || とーきょー全跳★アキハバラ? || Based on EXPERT, but most notes have AIR attached. During certain two-handed patterns, it is best to keep one hand in the air and play the pattern one-handed. This is especially true when AIR are placed on the beginning of HOLDs and SLIDEs as well as the end.
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